The Aislers Set's brilliant album The Last Match was released on Slumberland Records in spring 2000. The Pains of Being Pure at Heart bring out the carbon paper nine years later, release their debut album on the same label and get the breakthrough The Aislers Set never had.
The Pains of Being Pure at Heart entered my year list in 2007 with their self-titled EP. The five songs were very similar in sound. When I heard the opening track This Love Is Fucking Right a night out at Blekinska the following spring, I jokingly said that The Pains of Being Pure at Heart have recorded the same song five times - but it is okay as the song is quite good.
I find a common theme now that I read what others write about The Pains of Being Pure at Heart's debut album. Nostalgic descriptions picture memories of bands such as The Pastels, Popsicle, My Bloody Valentine, and Lush. Except for already mentioned The Aislers Set, I also come to think about Ride.
The Pains of Being Pure at Heart know their indie pop history very well, but it strikes me after a dozen listenings through the album that they completely lack a unique sound. The self-titled LP is one of 2009's best records so far thanks to amazing songs like Young Adult Friction and Stay Alive, but The Pains of Being Pure at Heart are far too gifted to throw away their talent on ambitious cover records.
Those who are introduced to indie pop music by The Pains of Being Pure at Heart will perhaps remember this album as one of the special records in their lives. For the rest of us it just remains a good album. There is something sad about the chorus of praise ignoring the obvious influences and the knowledge that copies all too often become larger than the originals.
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